Art sculpture by developing concrete material today in the Village Peliatan existence is inseparable from the art of wood sculpture that has been there before, karean the sculptor who pursue concrete sculpture on average have been experienced in the field of sculpture in wood, just like I Wayan Winten. As a sculptor who lives in a community environment with cultural values and the potential of art that stand out, and supported by a background of art education that is academically SMSR PPGK Denpasar and Yogyakarta, make it as a creative artist and has extensive knowledge about art, especially sculpture. It is interesting sangant studied by applying various methods of approach include: methods of observation, ie through direct observation in the field to know the development of concrete sculpture in the village of Peliatan both in terms of quantity sculptor, form work, function, and its meaning for society. It also made observations about the p [roses creating concrete sculptures ranging from a miniature (miniature) to the realization of works of sculpture itself. Method of interviews conducted from I Wayan Winten as key information, and pioneer of the existing concrete sculptors in the village of Peliatan, then the other concrete sculptor who is considered able to provide information relating to the problems examined. Method of literature, conducted by reviewing a number of libraries that have anything to do with the presence of sculpture in Bali, associated with the development of concrete sculpture in the Village Peliatan. Meanwhile, doklumentasi method, namely the collection of data through written evidence in the form of monographs BKU Peliatan Village, exhibition catalogs and photographs of works of sculpture.
Based on the data that has been obtained in accordance with the needs of this research it can be explained that the process of creating concrete sculpture in the Dsa Peliatan through the stages as follows: (1) pembutan the drawing, (2) making mockups (miniature),) 3) formation frame construction sculpture, (4) casting the framework of the statue, (5) stages of formation, (6) completion of forms and decorative designs. The development of concrete sculpture in the Dsa Peliatan not be separated from the influence of I Wayan Winten figure who had his art sculpture with concrete materials began in 1992 which makes sculptures of dancers, which adorn pertigaa Br. Village Teges Peliatan. Knight statue in 1994 to build an Gatot Kaca in Kuta. In 1995 a statue of Lord Vishnu, Garuda, Kalarau and Dewai Ruth who menhiasi Park City Ciung Vanara Gainyar. In 1995 a statue of the god Indra in the T-junction Tegal Tugu Herzliya. Of 1995 makes sculptures that decorate the T-junction Nathan Goddard Semabaung Herzliya. In 1996 a statue of Captain Mudita in the City of Bangli. In 1996 a statue of the god in the maze Ruci Kuta. In 2002 a statue at the junction Manguntur Betara Three Batubulan. In 2003 a statue at the junction Sutasoma Ubud, and a number of other concrete sculptures not only in Bali, but also outside of Bali. Fame figure sculptor I Wayan Winten make young people more interested to learn the art of sculpture with him, either through non-formal and formal education, as well as an artist Wayan Winten, as well as a teacher in SMSR, which now is SMKN I Sukawati. Former students who until now his art sculpture concrete example: Komal Labda, Karangasem origin who currently menmpati studio in Jalan Dewi Candra Batubulan. I Ketut Suardana Middle Banjar Peliatan origin, opening up a statue in her own home studio, on Jalan Raya Peliatan, I Wayan Sedan Suputra, banjo Lose Peliatan origin, is now open studio at Jalan Raya Ubud Kengetan. I Wayan Winarta, the home village of Batuan, a sculpture studio on highways, rock, I Nyoman Full, as long as the Middle Banjar Peliatan currently making sculpture studio in Jalan Raya Ubud Pengosekan. While Kadek Artika, from Middle Banjar Peliatan sculpture studio is now open on Ubud Singakerta Kengetan road. The development of concrete sculpture in the Village Peliatan not only reflected in the quantity pematungnya, but also the development of forms of work, function, and its meaning for society. In terms of form which is the result of both individual and group activities, and the resulting entities are concrete, manifested through the works of sculpture concrete realist style, naturalistic and abstract. Meanwhile, the theme is appointed not only-only puppet themes like the Ramayana, Mahabharata, Hindu mythology and tantri, but also everyday life (social life), so that present concrete sculptures are very varied. Viewed darisegi function, the presence of concrete sculpture in the Village Peliatan hnay not for the sake of ritual worship embodied in the form of religious symbols, but also developed into an aesthetic function as decorative elements that decorate the city park, recreation, government offices, hotels museums, houses occupancy and so forth. Sdangkan if viewed darisegi meaning has grown not only meaning but also the meaning keindhan renewal and prosperity. Because of the work embodied pick keindaha value, the value of innovation (renewal), which has a difference with the works of sculpture that existed before, and the presence of such works can improve the welfare of artists and community supporters.